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May 21, 2015

Sketchcraft

Crystal balls, ouija, magic circles… Is this a sketchbook or a spellbook? Emma Black pulls art and occult together in a hypnotic style. There’s something in the cryptic imagery that makes it come off more spiritual than spooky. Again and again I find myself mesmerized by her ritualistic repetition of geometric patterns and shading in thin, straight lines. Her series of animal sketches has the same magical undertones, where in pencil she draws the natural, then adds an element of the unnatural in red. It’s a compelling sketch style that’s simplistic and mystic. 

You can follow Emma Black on instagram to keep up with her witchy business.

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March 15, 2015

Little Boxes on the Hillside

I've been casually admiring some quaint little towns I wish I could live in. Any one of these houses nestled tightly amongst trees and other homes looks perfectly cozy for me. I associate drawings of buildings squashed together with the bustle of cities, so it's unusual for me to be looking at these homes practically smothered with no room between them and yet feel the opposite of city life. It's probably Samantha Dolan's intricate details on the leaves doing the trick. Her patterns are obsessive and consume the image until there is nowhere left unfilled. Still, there's something tranquil that comes from following the repetition of familiar shapes.

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February 13, 2015

Human + Nature

Flowers growing out of skin. A flock of birds fluttering out from someone’s mind. Curious bears crawling over a hoodie. These drawings are connected by the common theme of humans and nature being intimately close, sometimes inseparably intertwined. Tatiana Karpova takes inspiration from real life objects or beings to insert directly onto the paper in ink, pencil or watercolor, but the finished image is something dreamy and impossible. A perfect balance of influence from humans and nature coexisting on paper.



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August 3, 2011

In the Warm Shadow of Nature

Gentle drawings by Cendrine Rovini take me back to the woods that I frequently visited when I was little.

Again I can sense the same essence of warm plants and trees that surrounded me back then. I like to imagine that Cendrine's sheets of paper have that same aroma. It's like her drawings manage to soak in to the paper and make it smell so natural that you can feel they are back with nature again.



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