I recently found out that Kitty Crowther is from Belgium with a British father and Swedish mother. In fact, it was in Brussels where I first discovered one of her books, the one that shocked me most, "Petite home et dieu" (Little man and God).

What I like most from her is the lack of digital retouching, the spontaneous drawings, the feeling that she has done them very quickly (non-stop), and the way in which she uses colour, lights and blacks above all. I also like the fact that she uses colour pencils, it makes me think that someday when I get older, I could be like her.

Some issues or themes can be difficult for a kid to understand, but her subtlety makes it all very easy.

I hate that she doesn't have a website, because I couldn't find all the images that I wanted, but here are some.

Krysthopher Woods often turns the ghastly and creepy into stunning and sublime. In the third wallpaper from our series, he seems to have drawn a creature enveloped by snow and tears during it's final journey.

It renders beautiful and it's yours to download.

These images will make you look twice, and maybe two more times after that. Joseph Martinez paints inside matchbooks with such precision and patience you wont believe it until you watch the video for yourself. The art is often times smaller than the size of a dime.

I can't imagine anything more fascinating than seeing these matchbook paintings in person. Fortunately, those of you in San Francisco will have the opportunity at his upcoming show, A Little Piece of the Bay.

Scroll down, and you'll be asking yourself again and again how he's achieving such depth, shadows and detail.

One night about a year ago I met with Conrad (who was already sharing a studio with Guim) and Chamo for a Gin and Tonic session. All of us worked from home at that moment and we all agreed that it was becoming very boring. I don't know if it was the Gin or the night itself, but after a few rounds it occurred to us to set up a studio.

Now, we are six people (including graphic designer Jordi and record label "The Indian Runners" who joined shortly after).

That's how Tocafusta was born. We all work as independent freelancers but always finding ways to collaborate with each other and discover common objectives. We look for new projects, collaborations with interesting people, and above all try to help each other as much as we can.

It's great to come here to work everyday. It really has become my second little family.

I love these story-driven artworks by Dave Zackin. Of course it's the colors and bold lines that first catch my attention, but then I quickly get caught up in the hand-lettering and drawn narratives. I'd gamble to say that even the most humdrum day in my life would look fascinating if documented like this.

Everything is said when you look at Ricardo Cavolo's work. With its strong colours, his pieces are powerful, fast and fresh. This guy's got the lot.

I saw that DA featured him in a post a few years ago, but I think that he deserves a refresh to see the evolution of his work.

Plus, I finally got to meet him at my last exhibition in Madrid and can honestly say that he is a lovely person.

This morning while I was browsing the web, I bumped into this video about weird dreams and strange nightmares.

The author is Jose Miguel Mendez. You know, one of those spanish exiles now based in London after living for a while in Paris.

I read his bio and found out that after spending some time working as an illustrator, he is now coursing through the MA Moving Image program at LCC. Well, I don't think he could have chosen any better, because I love this piece.